Vesper Lynd (
bitteraftertaste) wrote2013-08-10 01:53 am
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fourteen ♥ spam/video
[Spam for Bond, backdated to the start of the flood] [The unfortunate part of floods like these when you're in a relationship with someone on the Barge is that you're very likely to wake up next to someone you've never seen before, and have no idea who they are and how you got there. This is generally made even more horrifying when you're a very unhappy teenager on the best of days, and waking up with an unfamiliar teenage boy spooning you is definitely a good way to ignite all sorts of latent intimacy and commitment issues that only vaguely have to do with the extremely unlikely chance that she lost control of herself long enough to wind up in this sort of situation. That kind of thing definitely does not happen to Vesper Lynd. Fortunately (?) Vesper is still asleep for the time being, and blissfully unaware that anything's amiss. Of course, that really means it's just a matter of time before the shit hits the fan and she realizes what the hell is actually going on here.] [Public] [Vesper addresses the Barge a little while later, once she's had more opportunity to encounter her ex-roommate James' behavior. She looks like she's about fifteen, but she sits so her back is ramrod straight, her shoulders squared and head held high, making it more or less unmistakeable that this girl is confident and self assured and not in the mood to take anyone's bullshit, even if they're an adult and she is - technically - a child. Really, this is just a carefully constructed mask, but no one needs to know that. Obviously.] Is there anyone whose supposed to be assuming responsibility for James Bond? [This is being said in a way that suggests she thinks you are doing a terrible job of it, whoever you are.] |
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They fell. Mountain climbing, they fell.
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Still. She does feel sorry for him, and she wants to say something, that she does understand.]
I'm sorry.
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[He's quiet for a long moment, and he still can't quite look at her. The words just come, because - he knows, she gets it, and he doesn't think he'll ever be able to tell someone else. Not Kincaid, who he needs to see him as a man, not his aunt, who he doesn't care about and doesn't care about him, not any one at Eton, not anyone at his new school. The idea that this is the only chance he'll have has the words tumbling out. But he can't look at her.]
I'm not a bully. I'm not. It's just - I can imagine them yelling at me, telling me I'm a prat, sending me to my room without supper or something, I don't know. It's just - better than nothing. Even if they'd be ashamed.
Even if they'd be - disappointed.
[He looks up, then, looking around to see how far the wet bar is. He wouldn't mind another shot of scotch.]
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[And, strangely, she doesn't mean the question patronizingly: she's actually curious. She knows it's terrible, that she probably should feel worse about it in this sense, but although she'd loved her father when she'd been younger, he'd gotten more and more unlike the man she'd known when she was small, and while he didn't really scare her, she didn't know how to act around him. Her mother had been more or less the same, although she'd just been quiet and withdrawn and maybe old fashioned, and so while she hated what happened and did miss them... In other ways, she almost didn't. More like she missed the idea of parents, or the people they had been before things had gotten bad.
Was it the same for him, if the only way he could feel close to his parents was to imagine them being disappointed in him? Or was it something else?]
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[But he does, and he nudges Martin off his lap before he stands again, going for the bar. Then he can stand with his back to her, instead of just avoid her eyes. Because he thinks his are getting red.]
I don't know, I just - I'm--
[He's grabbed the scotch and a glass, and he hauls off and throws the glass at the opposite wall, away from her and the cat. It shatters, and for half a second, he feels better.]
I'm so bloody angry with them! They wouldn't take me with them! What did they think they were doing, going off fucking mountain climbing? They should've been more careful! They shouldn't have gone!
[He feels completely irrational, out of control, and his eyes are wet when he finally turns to look at her again. He does feel like a bully, like a monster, and he doesn't know how to stop feeling that way.]
I don't want them to be proud of me, I just - want them to come back--
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But therein lies the issue, really, because she doesn't want to talk about her own experiences. Every instinct is telling her to run, not because she's afraid of him, but because she doesn't want to confront what happened to her. She never has, probably never will, and she wants to leave before he expects her to say anything.
Except he's crying. She can tell he is, even if he's ashamed of himself for doing it, and something keeps her from bolting. She doesn't know what it is- she hates crying, hates seeing other people cry, but she doesn't want to just leave him.
So she hesitates, and finally pushes herself to her feet, cautious and hesitant and really not sure what she's doing.] James-
[She's not sure why she does it, but she finally closes the distance between them and puts her arms around him in a tight hug. She doesn't say anything, because she doesn't know what she could say. But this feels like the right thing to do.]
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When she hugs him, there's a split second where he thinks about shoving her off and running away, finding some place to hole up. It's the only thing that's worked for him in the past, and he thinks of the priest's hole below the moor. Instead, he just drops his chin over her shoulder, and wraps his arms around her. It feels good, better, more right than he thought it would. He doesn't want to think about it. He just wants to hold her - and maybe be held.]
I'm sorry. [It's practically a whisper.]
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She also really doesn't want to think that he smells sort of good, and that it's actually kind of nice, being close to someone like this. Being held or comforted isn't something she's really sought out, but she hadn't been consciously aware of how long it feels like it's been to have someone hugging her like this, and she gives in to it long enough to put her head on his shoulder. It's probably weak, or embarrassing, but she can't stop herself.
Do not cry, she thinks stubbornly when she realizes all of it, even as her eyes prick with tears, her throat suddenly feeling tight and dry. She hasn't cried since two days after her parent's funeral, and she's in no rush to start again now. It still takes a long moment for her to say something, because she doesn't quite trust her voice.]
You're still a prat. [There's something almost fond there, maybe even teasing, along with the more familiar, more acidic bite.] But I appreciate the apology.
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You're still a bitch, [But there's something almost affectionate in his voice.] But you're welcome. [He goes silent again, arms around her, until he thinks, maybe it's been too long, he doesn't want her to think he's some pansy. So he straightens, slides his hands to her hips and then lets go entirely, looking around.]
Where'd the cat go?
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Abruptly, she feels sort of shy and awkward, likd maybe she should take a step back and put distance between them before he gets the wrong idea, that she's some silly girl who can be charmed by a pretty face and some tears, but she doesn't. They've got enough in common that she actually suddenly feels comfortable with him, like they've already know each other a long time.]
My room, [She answers, and she's confident that it is hers, even if she doesn't recognize any of the stuff in it.] I don't think he appreciates you throwing things around.
[She's got a version of her smirk going again, but again, it's more affectionately teasing than anything else.]
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Yeah, probably not.
[He shoots a sheepish glance toward where the glass shattered.] Sorry. [That's a little sheepish, too.]
I should clean it up. [Almost reluctantly, he drags himself away from her company to start picking up the pieces.]
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Have you had anything to eat? [It's an impulsive question, and she doesn't know what made her ask, but. She did.]
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Sure.
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Okay.
[He dumps the last of the glass, brushes his hands off, and stands. He's not quite the gentleman he will be, doesn't offer her a hand to help her up, but he does smile.]
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She stands up and brushes herself off and smiles back at him, looking more confident than she probably feels.]
Come on. It's not half bad.
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That's a joke. It's nothing special, but at least there's a lot of it. [He is starving like all the time, okay.]
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You're such a boy.
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Do you need proof?
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